stellastars

I found this sitting in my posts in progress from March, about what I'd been watching at the time, or some of it. I obtained the two small pieces of info it was lacking and have otherwise posted as-is, so it's probably fairly babbly, but I feel it is better to post than not to post. (At least with random mostly-complete media posts, that is.)

The Ghost Camera (1933) This was recced to me ages ago by sovay and I managed to snag it in passing on TalkingPictures TV, but then failed to watch it. (I have issues with watching all sorts of things still for reasons that are too stupid and annoying to go into, but they are all basically the Chronic Fatigue Syndrome being a pain.) But then, liadt sent me it on DVD as well! So having been recced it twice by two people who know what's what when it comes to elderly film and suchlike, I had to eventually consider putting it in the dvd player and watching it.

Anyway, as I mentioned before, I really enjoyed it! It was sweet and fun. The internet tells me it was an unexpectedly good 'Quota Quickie' and it is. A nerdy scientist accidentally acquires a camera with a dangerous set of photos inside it, develops them and sets out, while being dogged by the criminals who want it, to find out whose camera it is - starting with finding the woman in one of the photos. It's engaging, the hero is charmingly atypical and shy, and it really does do some cool things with experimental camera angles and techniques, some of which almost even come across like handheld camera in places.

It's very early UK film, so it doesn't have the polish that a lot of the US ones had acquired by even this point, but if you like old films, this is a fun and interesting one.


Dope Girls (BBC) s1 I've only watched half of this because it was too much for me, but I neverthless watched that much, because it looked fascinating and different and the sort of thing I would be all over if it wasn't so much about crime. I'm hopeless when people in fictonal things are routinely committing crimes, and this is very violent, lots of 'rave' type shooting of scenes, none of which I can cope with. Saying I watched it, given how much I used the skip 10s button is probably an exaggeration BUT it's really beautifully made and it's about women immediately post WWI, based on a true story of a woman who set up a Soho nightclub (given value of 'true' no doubt varies in the show). The series also follows her illegitimate mixed race daughter Billie, a dancer, her legitimate teenage daughter who's getting into spiritualism following her father's death, and Violet, one of the very first women in the police, who's sent undercover into the nightclub.

Warnings for pretty much everything ever: dodgy accents, murder, suicide, meat & butchery, drugs, sex, 'rave' type scenes, beatings etc. It seems to be trying to be the new Peaky Blinders but since PB happened while I was ill and also contains characters who routinely commit crimes, I can't comment on accuracy of media's "the new x" pronouncements.

In short, it looks great if only I weren't me. I might still finish it, unwisely, anyway. It's about women immediately post WWI! /o\


They Came To A City (1944) This is one I happened to catch on TalkingPictures TV just as sovay was talking about John Clements, and I realised I had accidentally snagged this, featuring him. It's adapted from a play by J. B. Priestley, who actually turns up in a little prologue with a wee Ralph Michael & Brenda Bruce to tell the story of the film as a fable to prove a point to them. The story within a story is of nine ordinary British people from different walks of life who find themselves transported to a mysterious city run by an apparently perfect sort of socialist ideal. Some of them hate it, some of them stay, and some of them return to their regular lives to try and make their own cities more like the City. It's very static and talky and we don't see the city, but they pretty much lifted the original play's cast into the film and the performances are great all round and always raise it when it gets too close to being too much just talking about the ideas. It's slow but I found it utterly fascinating and loved it. I had to leave it on the DVR, so I couldn't even delete it as watched!

Also it gave me all the feels about the Beveridge Report and I've never said that about a piece of fiction before.


The Ghost Train (1941) wiki tells me there are actually about nine different versions of this, originally a play by Arnold Ridley who I know as Godfrey in Dad's Army. This is the most comic version, I gather, but also the one that has villainous Nazis instead of unlikely Cornish communists. It was another one I snagged recently from TPTV and, encouraged by current watching ability, I gave it a try and enjoyed it very much indeed! It does occasionally veer towards becoming a vehicle for Arthur Askey but it recovers itself in time, although I would definitely be interested in seeing some of the other versions. But his role as comedian was written in very well (he's a seaside vaudeville performer, his antics cause the stranding & solve it, and everyone gets annoyed with him) and I liked everyone else very much. Another mixed group of strangers get stranded in a remote Cornish railway station - with a story about a ghost train that runs through the station.

Anyway, I had a lot of fun, and I'd definitely be curious to see a version played more straight, but like I said, this is the one that sends a bunch of Nazis off a railway bridge, so I don't feel that it was the worst place to start!


[May comment: still didn't go back to Dope Girls; the state of my brain when employing the iPlayer can be easily illustrated by explaining that what I did was to watch a series and a half of Malory Towers instead. XD]